A) Lawrence
B) Moore
C) Hepworth
D) Mirรณ
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Multiple Choice
A) the rejection of three-dimensional illusionism in painting
B) the belief that art could convey spiritual concerns through non-objective imagery
C) the notion that art was not precious but could exist as conceptual ideas and actions
D) the role of the subconscious in revealing universal symbols and meaning
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A) more historical.
B) more modern.
C) more personal.
D) more abstract.
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Multiple Choice
A) Illusionistic painting techniques are used to render objects.
B) The suggestions are of discernible subjects.
C) Paintings typically display overt political critique.
D) Figural proportions are accurately portrayed.
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Multiple Choice
A) It was an alternative to traditional systems of perspective.
B) It legitimized non-objectivity as a viable interest in painting.
C) It emphasized deconstruction of the human form and the picture plane.
D) It implied that art was an intellectual activity not rooted in emotional expression.
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A) music.
B) mathematics.
C) psychology.
D) love.
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Multiple Choice
A) expressive images of distorted figures.
B) raw, heavily worked abstract forms.
C) biomorphic images that held personal symbolism.
D) large-scale murals inspired by Renaissance frescoes.
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Multiple Choice
A) Dada
B) Bauhaus
C) Purist
D) Futurist
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